Linear and minimal floating tops and unit collection for the bathroom. Flyer features tops for washbasins and taps, drawer units and under-washbasin units with push-opening drawers. The tops, equipped with specific brackets, are available in Cristalplant®, Corian®, stone, marble, granite, Dekton® or MDI, solid wood.
The drawer units can be in wood, wood Selection with fronts in solid wood or lacquer. Design C.R.S. Boffi.
Water-based textured matt lacquer.
The following features make SILCOLAK a top-quality finish:
• Water-based textured paint, bi-component and undiluted (not contaminated by external agents), designed and produced exclusively for Boffi.
• Colour range, exclusive for Boffi.
• Excellent chemical and physical resistance (tested in laboratories).
• Very low yellowing effect over time.
• Coat of isolating paint Primer and double layers of polyester plastering, ideal for reducing small imperfections on surfaces and allowing a better coverage.
• Base coat of polyester.
• Coat of isolating paint Primer for corners and edges.
• Two paint coats, cross-applied.
JET BLACK
ABYSS BLACK
SLATE GREY
SLIT
ROPE
HAY
GRAVEL GREY
LUTON GREY
OYSTER-PEARL
SIBERIA WHITE
MYRTUS GREEN
Boffi uses only wood from not primary forests, to guarantee an adequate restoration of the renewable raw materials.
ECOWOOD XILO 2.0 STRIPED BLACK
ECOWOOD XILO 2.0 PLANKED GREY
ECOWOOD XILO 2.0 PLANKED SAND
GREY-GRAPHITE-OAK
ASH-GREY-OAK
OAK
Boffi uses only wood from not primary forests, to guarantee an adequate restoration of the renewable raw materials.
ALPINE WHITE OAK
ECOWOOD TEAK
ECOWOOD DATUK EBONY
ECOWOOD INDIAN ROSEWOOD
SMOKED OK
CANALETTO WALNUT U.S.
CORE WALNUT
AMERICAN ELM
Wood layers, with support made of strip wood. Boffi uses only wood from not primary forests, to guarantee an adequate restoration of the renewable raw materials. Doors and panels have vertical grain.
The “old“ grey pinewood consists of pinewood solid boards recycled from renovation of old houses, barns and huts. The characteristic grey tone of this material is obtained by specific painting cycles, which give the typical “old” aspect to this wood.
Possible cracks and deformations have to be considered characteristic part of the product. Since these pieces are very unique, they have the typical appeal of “imperfect things“ and they clearly display sign of times and bad weather; therefore they show deformations and wrinkles strength. Worktops obtained with old wooden boards offer a clear example of the wood vitality and instability. For this reasons each piece in solid wood has to be considered considered “unique“ and different from all the other ones.